From the microcosm of the flower Rhea Standke (1972, Dresden/Germany) creates new, three dimensional, baroque and ecstatic formations. These free themselves from the past and the future and exist in an infinite room in the present time. Full with being or empty from everything. She creates an euphoric image of cosmic structures, in which a limitless existence of the center of light emerges. A creator emerges from a sea of time and creates an infi ite moment which has neither a beginning nor an end and no rhythm of day and night.